Talk To School Nurse Anorexia

takers, CB Hustlers


The Taker (USA 1971)
Director: Carl Monson
Starring: Susan Apple, Fred Bush, Coe Bart, Kim Kiya, Lois Douglas Deborah Borroli, Dennis Troy, Rulo Thumb, Tony Zero, Carl Monson, Kathy Hilton, Anna Travers

E.J. und Will sind zwei üble Gesellen. Mit ihren Bikes fahren sie durch die Gegend, reißen Frauen auf und vertreiben sich dann die Zeit mit Sex und Drogen. Überhand nimmt die Sache, als die beiden in ein Haus einbrechen, zwei Frauen in ihre Gewalt bringen und sich über Tage mit ihnen Vergnügen.

Diese Mischung aus Bikerfilm und (Soft)Porno ist das Regiedebüt von Carl Monson, der in den folgenden Jahren mit A Scream in the Streets und Please Don't Eat My Mother qualitativ gleichwertige Filme für Box Office International gedreht hat, wobei der zuletzt erwähnte der Beste aus den Dreien ist. Selbst für Filme solchen Caliber is the story to an absolute minimum. A little less and we had arrived at Gonzo. Basically we are dealing here with a string of sex scenes, which are changed in the last 45 minutes not even the partners. To even begin to incorporate some dynamics there is this constellation with the evil rockers who have two helpless women in their power, but who would have thought it, after some initial reluctance, the two something fun related to their unfortunate situation, leading to some strange dialogue excesses such as "I've Been Screwed by better Salesmen!" out. Anyway, the girls are quite pretty to look at, anyway sonerlich long held und nach 77 Minuten wundert man sich, dass so etwas in den 70er Jahren tatsächlich im Kino lief.

Wer mit diversen Harry Novak Produktionen etwas anfangen konnte, dürfte auch hier recht gut aufgehoben sein.

4/10

What Type Of Hair Does Myammee Sale

The


C.B. Hustlers (USA 1978)
Regie: C.B. Hustlers
Darsteller: John Alderman, Jake Barnes, Uschi Digard, Tiffany Jones, Edward Roehm, John Tull, Valdesta

Drei Prostituierte fahren mit ihrem Van durch dich Gegend um sich an Rastplätzen mit Truckern, die zuvor per CB Funk informiert wurden, zu vergnügen. Die Geschichte von the mobile brothel brings two reporters of a local daily newspaper on the track. But the girls went all out to avert this negative headlines.


The story is too short to make a joke and it would also be good as basic load can serve for a porno. Not surprising when you consider that director Stu Segall Summer School a year later and two years later turned Insatiable with Marilyn Chambers. The content of events is as follows: The girls drive around, fuck with truckers to drive on, fuck with truckers, etc. To make things loosen up a bit, there is the subplot with the two reporters who are on the hunt for a scoop. As the two little heads off That hire is also some humor into the game. Emphasis should however be on Uschi Digard, which again may show extensive thanks to which body parts she is brought to a rather remarkable filmography. It is also amazing that she speaks with a sexy Swedish accent, which is a bit unusual. In many of her films she either remained silent or was gedubbt.
Thanks to the simple story, beautiful girls and some humor flows out of the film only so on. Quite enjoyable no-brainer that one should perform best at bedtime to heart and Uschi Digard is always worth a look anyway.

5 / 10